Celebrity and the Red Carpet

Even though I agree with everyone that this piece has strong themes about society/class/family, I believe a deeper interpretation can be found elaborating on the concept of "celebrity." Sankaran's story disturbs me because she makes me think about celebrity, America, and my students in a new way.

Examples of celebrity litter the text. Beyond the obvious red carpet reference which Maydum refuses to acknowledge as part of who she is, there is Raju's naming his daughter after a Bollywood star, and the worshiping "peasants," from the kitchen to the grounds, who adore Maydum for what they perceive as her celebrity stature. The opulence in which she lives also promotes this concept. But beyond the list of evidence, Maydum reacts like a modern celebrity. She lives in a world protected from the forces which alter and change Raju. Therefore she can play her part and then just as quickly revert back to her Paris-Hilton-party-mode and forget Raju, his family, and their situation.

I fear this same commiditization of celebrity is happening to many of you. Your online profiles promote an atmosphere of celebrity to others, and even you status as seniors make you celebrities to underclassmen who see you as models for how to create themselves, just as Raju sees Maydum as a model for his daughter.

So what are your thoughts on the concept of celebrity? Do you agree with my analogy? Post your ideas here.

Secret to Not Getting Stuck

Every character in this story finds themselves "stuck" in some fashion. Del most of all, for the reader's view of the world is presented through his teenage perceptions.

Although the title comes the coach, Dan Gable, he says: "It's no secret. It's pride and faith and stubborness. That's all. You don't give in. No matter what, you keep going. You don't ever give up. That's it."; we as analytical readers know the meaning must go deeper than this simple statement.

So, what is the secret to not getting stuck? Is there one, or is Woodruff simply playing an ironic joke on his readers?

Readings

The following are the short stories selected for Boot Camp 08-09:

The Secret to Not Getting Stuck by Jay Woodruff
The Red Carpet by Lavanya Sankaran
Araby by James Joyce
A&P by John Updike
Burning Chrome by William Gibson
The Necklace by Guy de Maupaussant
Six Pieces of Severance by Robert Olen Butler
The Satyricon: Widow of Ephesus by Pertronius
The Curse by Andre Dubus III
Truth or Consequences by Alice Adams

Initial Post

Short Story Boot Camp is an idea I stole during one of my AP Camp experiences at St. Johnsbury Academy. During a discussion on vertical integration of curricula (vertical teaming) a teacher explained their method for teaching literary analysis to students being "like a private at boot camp: dirty, smelly and exhausting." The image lingered weeks after AP Camp, and I began to formulate my current method of Literary Analysis Boot Camp.

First, we have the five voice lessons which give us a context for analysis: diction, details, imagery, syntax, and tone. Second, we have the four writing dimensions which give us a direction for solid analytical writing: purpose, organization, detail, and voice. Finally, we have the texts, a variety of pieces collected from magazines, anthologies, and short story collections. Put them all together and you get -- Short Story Boot Camp.

Over the course of the next four weeks you will actively read, discuss, analyze, and write on ten selected short stories. Each story is selected with a focus connected to one of the voice lessons. Every class you will spend half the time discussing (45min) and half the time writing (45 min.). All essays are timed and graded using the College Board's Advanced Placement Scoring Guide for English Literature.

The goal of Boot Camp is simple, but varied. Read. Discuss. Write. Critique. Each of your ten essays will be scored, and progress will be monitored over time to guide and foster growth. Get ready to become dirty, smelly and exhausted.